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Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Born in Grenoble, Isère, Ignace Henri Jean Théodore Fantin-Latour first had drawing lessons with his father Théodore Fantin-Latour (1805-1875), who was a painter. [2] In 1850 he moved to Paris where he enrolled in the small Paris School of Drawing, where he studied with Louis-Alexandre Péron and Horace Lecoq de Boisbaudran, an innovative and non-traditional instructor who developed his own ...
Pierre-Joseph Redouté (French pronunciation: [pjɛʁ ʒozɛf ʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. [1]
Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
Unable to pay for models to pose for portraits, Van Gogh threw himself heartily into painting still lifes of flowers, "red poppies, blue corn flowers and myosotis, white and red roses, yellow chrysanthemums." [45] Bowl with Sunflowers, Roses and Other Flowers, 1886, Kunsthalle Mannheim, Mannheim, Germany (F250)
University of Michigan Museum of Art [10] Head of a Man, Flowered Background: Tête d'homme, fond fleuri: 1914 Etching on paper 24.4 x 19.4 cm Ann Arbor University of Michigan Museum of Art [11] Irene - Face: Irène - Masque: 1914 Etching on chine collé 8.25 cm x 5.72 cm Ann Arbor University of Michigan Museum of Art [12]
The three clorous at top right – red, white, and black – allude to the Austrian flag and the outbreak of World War I. 28: 1917–1918 – Portrait of Johanna Staude (oil on canvas, 70cm × 50 cm) Another portrait, where Klimt concentrates on the body upper half, with an arlequin blue motif of leaves in the dress. Unfinished. 29
However, since white chalk was barely visible on white paper or parchment, artists began to use a toned background to allow the technique to work effectively. During the 16th century artists developed sophisticated drawing techniques, such as in matita rossa e nera ("in red and black chalk pencils") known in Italy and aux deux crayons [ 2 ...