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The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
[39] [5] The dharani-genre of Buddhist literature includes mantra, states Étienne Lamotte, but they were also a "memory aid" to memorize and chant Buddha's teachings. This practice was linked to concentration ( samadhi ) and believed to have magical virtues and a means to both spiritual and material karma -related merit making. [ 40 ]
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
In Buddhism, chanting is a traditional Buddhist devotional practice, as well as a means of enhancing and preparing the mind for silent meditation. [9] It is a common part of formal group practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic, apotropaic or other magical purposes.
While studying the Buddhist Philosophy and Sacred Chant, Lama Tashi was selected by the Drepung Loseling Monastery to be on "Sacred Music and Sacred Dance for Planetary Healing" and "The Mystical of Tibet Tour" in U.S.A., Canada, Mexico and many other countries where he has shared stage with many well known artists like Michael Stipe of R.E.M, Sheryl Crow, Patti Smith, Philips Glass, Gilberto ...
Namu is used in Buddhism as a prefix expressing taking refuge in a Buddha or similar object of veneration. Among varying Nichiren sects, the phonetic use of Nam versus Namu is a linguistic but not a dogmatic issue, [15] due to common contractions and u is devoiced in many varieties of Japanese words. [16]
The sutta starts off by describing how the Buddha passes through the village of Kesaputta and is greeted by its inhabitants, a clan called the Kalamas.They ask for his advice: they say that many wandering holy men and ascetics pass through, expounding their teachings and criticizing the teachings of others.
In the throat singing prevalent amongst the Buddhist monks of Tibet and Mongolia, [13] the long and slow outbreath during chanting is the core of the practice. The sound of the chant also serves to focus the mind in one-pointed concentration ( samadhi ), while the sense of self dissolves as awareness becomes absorbed into a realm of pure sound.