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King Lear, George Frederick Bensell. The Tragedy of King Lear, often shortened to King Lear, is a tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan, who pay homage to gain favour, feigning ...
Cordelia is a fictional character in William Shakespeare's tragic play King Lear.Cordelia is the youngest of King Lear's three daughters and his favorite. After her elderly father offers her the opportunity to profess her love to him in return for one-third of the land in his kingdom, she replies that she loves him "according to her bond" and she is punished for the majority of the play.
Edmund is a fictional character and the main antagonist in William Shakespeare's King Lear. He is the illegitimate son of the Earl of Gloucester, and the younger brother of Edgar, the Earl's legitimate son. In the first act of the play, Edmund resolves to get rid of his brother, then his father, and become Earl in his own right.
Shakespeare based the character on Regan, a personage described by Geoffrey of Monmouth in his pseudo-historical chronicle Historia regum Britanniae ("History of the Kings of Britain", c. 1138) as one of the British king Lear's three daughters, alongside Goneril and Cordelia (the source for Cordelia), and the mother of Cunedagius.
Goneril is a character in William Shakespeare's tragic play King Lear (1605). She is the eldest of King Lear's three daughters. Along with her sister Regan, Goneril is considered a villain, obsessed with power and overthrowing her elderly father as ruler of the kingdom of Britain.
Ukrainians displaced by war find new purpose in Shakespeare's play of love, loss and madness, bringing their version to the bard's hometown.
18th-century depiction of King Lear mourning over his daughter Cordelia. In the essay on King Lear, which he entitled simply "Lear", Hazlitt makes no references to the performances of any actors. In fact, here he fully agrees with Lamb that King Lear, like Hamlet, cannot be adequately presented on stage. No actors, he felt, could do justice to ...
Edited with the audio-visual mischief of late-era Jean-Luc Godard (and with the meta-textual flourishes of Godard’s 1987 postmodern “King Lear”), Joseph’s first feature becomes a stunning ...