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Divan Hafez is a book containing all the remaining poems of Hafez. Most of these poems are in Persian and the most crucial part of this Divan is ghazals. There are poems in other poetic formats such as piece, ode, Masnavi and quatrain in this Divan. There is no evidence that most of Hafez's poems were destroyed.
Sīne mālāmāl-e dard ast ("My heart is brimful of pain") is a nine-verse ghazal (love-song) by the 14th-century Persian poet Hafez of Shiraz.It is no. 470 in the edition by Muhammad Qazvini and Qasem Ghani (1941) and 461 in the edition of Parviz Natel-Khanlari (1983).
The Divān of Hafez (Persian: دیوان حافظ) is a collection of poems written by the Iranian poet Hafez. Most of these poems are in Persian, but there are some macaronic language poems (in Persian and Arabic) and a completely Arabic ghazal. The most important part of this Divān is the ghazals.
Naqdhā rā bovad āyā is a short ghazal (love poem) by the 14th-century Persian poet Hafez of Shiraz. It is no. 185 in the Qazvini-Ghani edition of Hafez's poems (1941). The poem is famous for a fine Persian miniature painting of 1585 illustrating the scene. In this poem Hafez advises hermits and ascetics to abandon their way of life and take ...
Shirazi Turk is a ghazal (love poem) by the 14th-century Persian poet, Hāfez of Shiraz. It has been described as "the most familiar of Hafez's poems in the English-speaking world". [ 1 ] It was the first poem of Hafez to appear in English , [ 2 ] when William Jones made his paraphrase "A Persian Song" in 1771, based on a Latin version supplied ...
Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
Dūš dīdam ke malā'ek dar-e meyxāne zadand is a ghazal by the 14th-century Persian poet Hafez of Shiraz.The poem is no. 184 in the edition of Hafez's works by Muhammad Qazvini and Qasem Ghani (1941), [1] and 179 in the edition of Parviz Natel-Khānlari (2nd ed. 1983).
He published several essays in 1876 that discuss Persian poetry: Letters and Social Aims, From the Persian of Hafiz, and Ghaselle. Perhaps the most popular Persian poet of the 19th and early 20th centuries was Omar Khayyam (1048–1123), whose Rubaiyat was freely translated by Edward Fitzgerald in 1859.