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Guajira [ɡwaˈxi.ɾa] is a music genre derived from the punto cubano.According to some specialists, [1] the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira. [2]
Guillermo Portabales (born José Guillermo Quesada Castillo; [1] 6 April 1911 – 25 October 1970) was a Cuban singer-songwriter and guitarist who popularized the guajira style of Cuban music from the 1930s through the 1960s.
It is in 12 beats and feels like it starts on 12. The guajira is a prime example of so-called cantes de ida y vuelta. [2] [3] The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba. [3]
Brito premiered "El amor de mi bohío" in 1937, at the famous Eden Concert cabaret in Havana, Cuba. [8] [9] This song is the maximum expression of the Cuban salon guajira, the most widespread of this genre, which would become one of Julio Brito's most famous creations [10], being performed by great voices throughout the following decades.
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Punto guajiro or punto cubano – or simply punto – is a sung genre of Cuban music, a poetic art with music.It became popular in the western and central regions of Cuba in the 17th century, [1] and consolidated as a genre in the 18th century. [2]
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The resulting album of fourteen songs, Buena Vista Social Club, was released in September 1997 and became a global hit, selling eight million copies. [10] In July 1998, Mirabel and the other musicians on the album were flown to New York to play a sell-out concert at Carnegie Hall .