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The work is considered part of the Land Art movement. Most of the trees are Monterey pines. The projects aims to display the horrible and ghastly harmony between nature and human presence by painting on the trunks of trees, human figures, animals and geometric shapes, some of which are visible only from certain positions.
This movement emphasized the sublime beauty of nature, the intensity of human emotions, and the glorification of the past, often through the lens of national identity and historical events. Romantic art spread across Europe, gradually influencing various forms of artistic expression, and later resonated in America where artists incorporated ...
In Europe, as John Ruskin said, [30] and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part ...
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To this is added the quality of elaboration and structuring of the work with the same harmony found in nature. [15] Where contemporary art relies solely on the intention of the artist, resilience sets the artist's responsibility to the community, because art is a receiver of the "image" of the community and acts in parallel on the cohesion of it.
It is considered a type of avant-garde movement and is proposed as a new style of modern painting which fuses elements of Cézanne, Cubism, and Futurism with traditional Russian 'folk art' conventions and motifs, notably the Russian icon and the lubok. Neo-primitivism replaced the symbolist art of the Blue Rose movement.
In the year they married, Rudolf made, probably in collaboration with Anna, the nude self-portrait, In the Bosom of Nature, in which he is framed by tree trunks, rocks, snowy mountains. It is posed to convey a dreamlike harmony reminiscent of a symbolist painting and graphic art. [10]
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...