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English: Photograph by Henry Ossawa Tanner used as a photo study for an early version of his painting, The Banjo Lesson.In the book Henry Ossawa Tanner: Modern Spirit edited by Anna O. Marley, the picture is identified as being in the collection of Jacques Tanner, Le Douhet, France.
Henry Ossawa Tanner, The Banjo Lesson, 1893, Hampton University Museum. Gift to museum by Robert C. Ogden. [1] The Banjo Lesson is an 1893 oil painting by African-American artist Henry Ossawa Tanner. It depicts two African-Americans in a humble domestic setting: an old black man is teaching a young boy – possibly his grandson – to play the ...
To Ellis and all English players, the higher branches of the mandolinistic art were unknown, and the majority of guitarists were satisfied with the limitations of an accompaniment; but since his advent, mandolin and guitar instruction books and music have been published in profusion in this country, but his works maintain their popularity." [1]
Musicians Pete Seeger and Earl Scruggs helped reverse the situation and influenced banjo design; both musicians feature prominently in the museum. The museum has instruments related to different stages of Earl Scruggs career. Scruggs' first five-string banjo was a Gibson RB-11; the museum obtained an identical instrument that was made in 1938.
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Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
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Her art is explanatory, metalinguistic function, speaks for itself, so that the public can grasp the meaning of the works and appreciate it. She is inspired by nature, the people who surround her, past and present experiences and the works of other artists, especially of the Renaissance masters.