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Glidden Pottery produced unique stoneware, dinnerware and artware in Alfred, New York from 1940 to 1957. The company was established by Glidden Parker, who had studied ceramics at the New York State College of Ceramics at Alfred University. [1] Glidden Pottery's mid-century designs combined molded stoneware forms with hand-painted decoration.
Notable in this group are John Bennett, who worked in New York and New Jersey, and Adelaïde Alsop Robineau, whose Scarab Vase is considered one of the finest examples of American art pottery. [3] Also operating "independently" was the vast factory of Edwin Bennett in Baltimore which periodically produced fine examples of art pottery, although ...
By the 1770s, the art of salt-glazed stoneware production had spread to many centers throughout the United States, most notably Manhattan, New York. There the Crolius and Remmey families, two of the most important families in the history of American pottery, would by the turn of the 19th century set the standard for expertly crafted and ...
In 1975, she set up Millfield Pottery Workshop near Doncaster Yorkshire. [3] Hamlyn is credited with discovering the green colour that arises when painting a titanium wash over a blue slip [4] and in 1999 she was awarded the European Saltglaze Prize. [3] Along with Walter Keeler she is considered a pioneer of the salt glaze revival. [5]
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Jugtown Pottery was founded in 1921 [2] by Jacques and Juliana Busbee, artists from Raleigh, North Carolina, who in 1917 discovered an orange pie dish and traced it back to Moore County. There, they found a local tradition of utilitarian pottery in orange, earthenware , and salt glazes .
Ash glaze was the first glaze used in East Asia, and contained only ash, clay, and water. [ 2 ] [ 3 ] One of the ceramic fluxes in ash glazes is calcium oxide (CaO), commonly known as quicklime, and most ash glazes are part of the lime glaze family, not all of which use ash.
Craquelure affecting the glaze in ceramics may develop with age but has also been used as a deliberate decorative effect, which has a long history in Korean and Chinese pottery in particular. [9] These deliberate glazing effects are usually known as "crackle", with crackle[d] glaze or "crackle porcelain" being common terms.
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