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Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was a tool for expression and communication. [1]
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. [1] The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments.
Later examples can be found as the opening movement of each of Johann Sebastian Bach's orchestral suites, Partita in D major, BWV 828, C minor Cello Suite, BWV 1011, and as an opening to many operas and oratorios by George Frideric Handel (including Messiah and Giulio Cesare). The 16th of Bach's Goldberg Variations is a miniature French overture.
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
The siciliana [sitʃiˈljaːna] or siciliano (also known as sicilienne or ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow 6 8 or 12 8 time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key.
In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes. [2]
This is distinct from the more traditional absolute music popular in the Baroque and Classical eras, in which the piece has no narrative program or ideas and is simply created for music's sake. Musical forms such as the symphonic poem , ballade , suite , overture and some compositions in freer forms are named as program music since they ...
Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").
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