Search results
Results from the WOW.Com Content Network
Various forms of these songs exist, including caryagiti (Sanskrit: caryāgīti), or 'performance songs' and vajragiti (Sanskrit: vajragīti, Tibetan: rDo-rje gan-sung), or 'diamond songs', sometimes translated as vajra songs and doha (Sanskrit: dohā, दोह, 'that which results from milking the cow'), also called doha songs, distinguishing ...
"Chitta Kukkar" (Punjabi: چٹا ککڑ) is a Pakistani wedding song sung mainly in Punjabi weddings. One of the earliest recordings was by Musarrat Nazir in 1988 and originated from Gujranwala [ 1 ] [ 2 ]
Krishnan Nair Shantakumari Chithra (born 27 July 1963), credited as K. S. Chithra, is an Indian playback singer and Carnatic musician. In a career spanning over five decades, she has recorded 20,000 songs [1] in various Indian languages including Malayalam, Telugu, Tamil, Kannada, Hindi, Odia, [2] [3] Bengali, Marathi, Punjabi, Gujarati, Tulu, Rajasthani, Urdu, Sanskrit, and Badaga as well as ...
Anubandha chatushtaya (Sanskrit: अनुबन्ध चतुष्टय) literally means four connections, and therefore, it is four-fold in nature and content viz, – a) adhikāri ('the qualified student') who has developed ekāgrata ('single pointed mind'), chitta shuddhi ('purity of the mind') and vikshepa ('freedom from restlessness and impurity') or adhikāra (aptitude); b) vishaya ...
This list contains Pakistani wedding songs which are performed during Pakistani weddings. Most are traditional folk songs, but also include pop songs as well. Title
Citta (Pali and Sanskrit: 𑀘𑀺𑀢𑁆𑀢, pronounced chitta) is one of three overlapping terms used in the Nikaya to refer to the mind, the others being manas and viññāṇa. Each is sometimes used in the generic and non-technical sense of "mind" in general, and the three are sometimes used in sequence to refer to one's mental processes ...
He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama ; some of which remain very popular even today.
Early in her career, Chitra Iyer attempted to reach out to composer A. R. Rahman to work with him, but found it difficult as she was based out of Bangalore.In 2000, Rahman initiated contact with Chitra and invited her to come to Chennai with a demo cassette of her work, with Chitra recording a series of Tamil and Malayalam songs. [3]