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Nominally, the soprano voice parts were written in first- or second-line C clef (soprano clef or mezzo-soprano clef) or second-line G clef (treble clef), the alto or tenor voices in third-line C clef (alto clef), the tenor voice in fourth-line C clef (tenor clef) and the bass voice in third-, fourth- or fifth-line F clef (baritone, bass, or sub ...
The four main voices are typically labelled as soprano (or treble and countertenor), [2] alto (contralto, countertenor or mezzo), tenor, and bass. Because the human voice has a limited range, different voice types are usually not able to sing pitches that lie outside of their specific range. [3]
Since most people have medium voices, they are often assigned a part that is either too high or too low for them; the mezzo-soprano must sing soprano or alto and the baritone must sing tenor or bass. Either option can present problems for the singer, but for most singers there are fewer dangers in singing too low, than in singing too high. [4]
These basic types are soprano, mezzo-soprano, and contralto for women, and tenor, baritone, and bass for men. [6] Within choral music the system is collapsed into only four categories for adult singers: soprano and alto for women, and tenor and bass for men. [7]
For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano. A voice teacher would therefore look to see whether the singer was more comfortable singing higher, or lower. If she were more comfortable singing higher, then the teacher would probably classify her as a soprano.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to the singer's perceived vocal range.
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E 2 –E 4).
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