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The Bach-Gesellschaft Ausgabe (BGA, Bach Gesellschaft edition) kept the chorale settings that were part of a larger vocal work (cantata, motet, Passion or oratorio) together with these larger vocal works and added the Three Wedding Chorales to its 13th volume containing wedding cantatas. The remaining separate four-part chorales, purged from ...
All further extant chorale cantatas were composed in Leipzig. There Bach started composing chorale cantatas as part of his second cantata cycle in 1724, a year after having been appointed as Thomaskantor. Up to at least 1735 he amended that cycle transforming it into what is known as his chorale cantata cycle.
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750.
Johann Sebastian Bach composed the church cantata Ich ruf zu dir, Herr Jesu Christ (I call to You, Lord Jesus Christ), [1] BWV 177. He wrote the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732. The cantata text is formed by the unchanged five stanzas of Johann Agricola's hymn.
Some cantatas of that cycle were based on music he had composed before, [2] including Herz und Mund und Tat und Leben, presented as the sixth cantata of the cycle. The Visitation was among the Marian feasts celebrated in Lutheran Germany (additional cantatas for the occasion survive, from both Bach and other composers), and was the setting for ...
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. 10 BD
In 1724, Bach began exclusively composing chorale cantatas for his second annual cantata cycle, beginning with this cantata and totaling some 40 chorale cantatas by the end of the cycle. Each cantata was based on the main Lutheran hymn for the respective occasion. [6] Leipzig had a tradition of focusing on the hymns.
Within a few years, the format was combined with other pre-existing liturgical formats such as the chorale concerto, resulting in church cantatas that consisted of free poetry, for instance used in recitatives and arias, dicta and/or hymn-based movements: the Sonntags- und Fest-Andachten cantata libretto cycle, published in Meiningen in 1704 ...
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