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Samuel Michael Fuller was born in Worcester, Massachusetts, of Jewish parents, Rebecca (née Baum) and Benjamin Fuller. [4] His father died in 1923 when Samuel was 11. After immigrating to the United States, the family's surname was changed from Rabinovitch to Fuller, a name possibly inspired by Samuel Fuller (Pilgrim), a doctor who arrived in America on the Mayflow
Samantha Fuller (born January 28, 1975) is an American director and producer who is best known for making A Fuller Life, a documentary regarding the centenary of the birth of her father, Samuel Fuller. [1] Fuller is the only child of Samuel Fuller and his wife Christa Lang. [2]
The film was conceived by Samantha Fuller, Samuel Fuller's only child, in 2011, as to celebrate her father's centenary. [1] It is based on Samuel Fuller's autobiography A Third Face, from which several excerpts are read throughout the film. [2] [3] It also features excerpts from Fuller's private 16mm films. [3]
In 1976, Fuller, as a result of health problems, asked his top distributor, Joe Louis Dudley, Sr., to move to Chicago and become President of the Fuller Products Company. Dudley ran both Fuller Products Company and Dudley Products Company from 1976 until 1984. In 1984, Fuller Products Company was purchased by Dudley.
Verboten! was the first of Samuel Fuller's films to be set during World War II, of which he was a veteran. He had previously drawn on his war experience to make movies about the Korean War and the French Indochina War. Raymond Harvey was the film's technical adviser; he had previously worked with Fuller on his Fixed Bayonets! (1951).
Underworld U.S.A. (also known as Underworld USA) is a 1961 American neo-noir [2] crime film produced, written, and directed by Samuel Fuller.It tells the story of a 14-year-old boy who goes to enormous lengths to get revenge against the mobsters who beat his father to death.
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China Gate is a 1957 American CinemaScope war film written, produced and directed by Samuel Fuller and released through 20th Century Fox.The film is set during the First Indochina War (1946–1954), and depicts the relationship between a sergeant of the French Foreign Legion and the Eurasian wife whom he had abandoned.