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Breaking the 100% rating. The 100% rating is vulnerable to a film critic purposely submitting a negative review for notoriety. For example, Lady Bird had a 100% rating based on 196 positive reviews when a film critic submitted a negative review solely in response to the perfect rating. [7] To date, Lady Bird has a 99% rating with 398 positive ...
Rotten Tomatoes score: 100% You might be surprised to learn that, according to critics, Pacino's best film is an adaptation of an 1891 Oscar Wilde play about the historical figure King Herod ...
List of films with a 0% rating on Rotten Tomatoes. On the film review aggregation website Rotten Tomatoes, films that every surveyed critic [1] considered bad have a 0% rating. [2][3][4] As of 2023, only 40 films with more than 20 reviews have received this rating. The Ringer, analyzing films' Rotten Tomatoes scores compared to change in profit ...
Rotten Tomatoes score: 39% When Mike and Dave, two brothers who constantly ruin family gatherings, put out an ad on Craigslist for wedding dates, Tatiana and Alice respond.
This is an accepted version of this page This is the latest accepted revision, reviewed on 4 November 2024. American review aggregator for film and television Rotten Tomatoes Screenshot Rotten Tomatoes's homepage as of April 1, 2021 Type of site Film and television review aggregator and user community Country of origin United States Owner Warner Bros. Discovery (25%) Comcast (75%) Founder(s ...
Year Released: 2000 Rotten Tomatoes Rating: 2 percent Number of Reviews: 60 U.S. Box Office Gross: $5.3 million Critic quote: “The In Crowd isn't a movie, it's Gorgonzola, a crumbly summertime ...
Here's a rundown of Ortega's movies and TV series ranked from worst to best, according to critic scores on Rotten Tomatoes. Note: For the purposes of this list, we're only including projects with ...
On the review aggregator website Rotten Tomatoes, 96% of 251 critics' reviews are positive, with an average rating of 8.8/10. The website's consensus reads: "The Worst Person in the World concludes Joachim Trier's Oslo trilogy with a romantic comedy that delightfully subverts the genre's well-worn tropes."