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The "Duetto buffo di due gatti" (humorous duet for two cats) is a performance piece for two sopranos and piano. Often performed as a comical concert encore, it consists entirely of the repeated word miau ("meow") sung by the singers. It is sometimes performed by a soprano and a tenor, or a soprano and a bass.
La regata veneziana (The Venetian Regatta) is the title of two different compositions by Gioachino Rossini.A duet with that title ("Voga, o Tonio benedeto") is catalogued as Les soirées musicales, No. 9 and a set of three canonzettas with that title is catalogued in his Péchés de vieillesse in Volume 1 Album italiano as Nos. 8-10.
Concerto per fagotto ed orchestra (1845, attributed to Rossini, authenticity questionable) [1] Scherzo (1843) Tema originale di Rossini variato per violino da Giovacchino Giovacchini (1845) Marcia (1852) Thème de Rossini suivi de deux variations et coda par Moscheles père (1860) La corona d'Italia (1868)
Adopting the opera buffa style of Domenico Cimarosa and Giovanni Paisiello, Rossini became the dominant composer of Italian opera during the first half of the 19th-century. Though working at the same time as Vincenzo Bellini and Gaetano Donizetti , he was recognized by his contemporaries as the greatest Italian composer of his time, an ...
Péchés de vieillesse ("Sins of Old Age") is a collection of 150 vocal, chamber and solo piano pieces [1] by composer Gioachino Rossini, who was best known for his operas.. The pieces are grouped into fourteen unpublished albums under this self-deprecating and ironic tit
Matilde di Shabran (full title: Matilde di Shabran, o sia Bellezza e Cuor di ferro; English: Matilde of Shabran, or Beauty and Ironheart) is a melodramma giocoso (opera semiseria) in two acts by Gioachino Rossini to a libretto by Jacopo Ferretti after François-Benoît Hoffman’s libretto for Méhul’s Euphrosine (1790, Paris) and J. M. Boutet de Monvel's play Mathilde.
Rossini indicates that the fugue (without the postlude explicitly written for piano) may be played equally on piano or harmonium. In 3/4, Andantino mosso ( = 76) with a regular rhythm of eighth notes, the fugue has a theme in the form of a turn like the BACH motif , which has the same chromatic opening as the famous subject of the Fantasy and ...
William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend.
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