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A scene from a flannelgraph Bible story. Flannelgraph (also called flannel board or flannelgram) is a storytelling system that uses a board covered with flannel fabric, usually resting on an easel.
Primarily, nap is the raised (fuzzy) surface on certain kinds of cloth, such as velvet or moleskin. Nap can refer additionally to other surfaces that look like the surface of a napped cloth, such as the surface of a felt or beaver hat. Starting around the 14th century, the word referred originally to the roughness of woven cloth before it was ...
All fabrics pill to some extent, although fibers such as linen and silk pill less than most. [6] The primary drivers of pilling are the physical characteristics of the textile (including both the initial fiber, and the way in which it is processed during manufacturing), the personal habits of the textile's wearer, and the environment in which the textile is used.
"Fuzzy-Wuzzy" is a poem by the English author and poet Rudyard Kipling, published in 1892 as part of Barrack Room Ballads. It describes the respect of the ordinary soldier for the bravery of the Hadendoa warriors who fought the British army in Sudan and Eritrea .
A fuzzy concept is an idea of which the boundaries of application can vary considerably according to context or conditions, instead of being fixed once and for all. [1] This means the idea is somewhat vague or imprecise. [2]
Fancy Nancy is a young girl with a larger than life personality, who adores all things fancy. She always dresses extravagantly, wearing boas, tutus, ruby slippers, fairy wings, and fuzzy slippers. Nancy loves using big fancy words such as "iridescent", "ecstatic", and "extraordinary" and anything in French.
"Fuzzy wuzzy had no hair" - the formula explaining why the fuzzy wuzzies did so well was a clean, square root relationship, not a complex, "hairy" one. The strength of the forces scaled only linearly with the firepower of the British troops, but with the square of the numerically superior fuzzy wuzzy troops.
Clothing is a non-verbal sign that can be interpreted differently depending on the context, situation or culture. It's in this way that the semiotics of fashion can be linked to social semiotics. According to Fred Davis, “ The chief difficulty of understanding fashion in its apparent vagaries is the lack of exact knowledge of the unconscious ...