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Its features include an open structure with few walls that can be opened and closed with doors, shitomi and sudare, a structure in which people take off their shoes and enter the house on stilts, sitting or sleeping directly on tatami mats without using chairs or beds, a roof made of laminated hinoki (Japanese cypress) bark instead of ceramic ...
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
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Floor area ratio is the total floor area of the house (excluding the roof and basement) as compared to the area of land the house is built upon; for a maximum FAR of 150%, the greatest possible total floor area for a house built on a 100m 2 lot would be 150m 2. Both maximum values vary according to the location of the land and width of facing ...
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designation comprises four components, two from the Taishō period: the stone warehouse (1912) and bath house and toilet 31°48′29″N 130°25′44″E / 31.80798401°N 130.42891107°E / 31.80798401; 130.42891107 ( Former Masuda Family Residence
The Jutaku phenomenon rose in the 1990s as Japan's real estate sites grew increasingly smaller, both from the Japanese inheritance system and the island's growing population. [ 2 ] [ 1 ] According to the architect Kengo Kuma , the first traces of Jutaku appear in the writings of the poet Kamo no Chōmei and the description of his own small house.