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The New York Times described the exhibition "Bloom & Gloom" (2018) as a "dark show" whose illusionistic reliefs, sculptures and wall works found beauty and wonder amid an intimate, dystopian vision of cracked, peeled, crumbling or rotting walls (e.g., Eastern Parkway/Brooklyn Museum (My Subway Stop); Boarded Up Window, Brooklyn) and dying ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Paul Villinski has created large-scale artworks since the mid-eighties. Villinski was born in York, Maine, in 1960, son of an Air Force navigator.He has lived and worked in New York City since 1982.
According to Nathan Wellard, Banksy had asked the couple if he could use the side of their home as a "large canvas", to which they agreed. In return for the "canvas", the Bristol stencil artist gave them two free tickets to the Glastonbury Festival. The mobile home purchased by the couple 11 years earlier for £1,000, was priced at £500,000. [80]
Aerial photo of the Sego Lily diversion dam at the Draw at Sugarhouse, Salt Lake City, Utah. Like other projects designed by Johanson, The Draw at Sugar House is a multilayered creation. It is simultaneously large-scale gunite sculpture, habitat for native flora and fauna, a compendium of references to Utah's cultural and natural history, and ...
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