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The Infant Bacchus, painting (c. 1505–1510) by Giovanni Bellini. Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
This is an index of lists of mythological figures from ancient Greek religion and mythology. List of Greek deities; List of mortals in Greek mythology; List of Greek legendary creatures; List of minor Greek mythological figures; List of Trojan War characters; List of deified people in Greek mythology; List of Homeric characters
Key: The names of the generally accepted Olympians [11] are given in bold font. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background. Key: Dotted lines show a marriage or affair. Key: Solid lines show children.
The middle son of Cronus and Rhea. Brother of Zeus and Hades. Married to the Nereid Amphitrite; although, as with many of the male Greek gods, he had many lovers. His symbols include the trident, horse, bull, and dolphin. Demeter: Ceres: Goddess of the harvest, fertility, agriculture, nature and the seasons.
English name Greek name Description The twelve Titans Coeus: Κοῖος (Koîos) God of intellect and the axis of heaven around which the constellations revolved. Crius: Κρεῖος (Kreîos) The least individualized of the Twelve Titans, he is the father of Astraeus, Pallas, and Perses. Implied to be the god of constellations. Cronus ...
Cultist rites associated with the worship of the Greek god of wine, Dionysus (or Bacchus in Roman mythology), were characterized by maniacal dancing to the sound of loud music and crashing cymbals, in which the revelers, called Bacchantes, whirled, screamed, became drunk and incited one another to greater and greater ecstasy. The goal was to ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Ampelos (Ancient Greek: Ἂμπελος, lit. " Vine ") or Ampelus ( Latin ) was a personification of the grapevine and lover of Dionysus in Greek and Bacchus in Roman mythology . He was a satyr that either turned into a constellation or the grape vine, due to Dionysus .