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A motorboat navigates along the edge of a body of water in the relative darkness. [6] Three men are in the boat, their backs turned, all staring towards the shore at a blue Victorian house with a mansard roof where a person appears to stare back at them, possibly a lookout. [11] A sense of illegality permeates the scene.
Sunrise, with a Boat between Headlands 1840-1845 Tate Britain, London: 91.4 x 121.9 Landscape 1840-1845 Walker Art Gallery, Liverpool: 92 x 122. The Ponte Delle Torri, Spoleto 1840-1845 Tate Britain, London: 91.4 x 121.9 Venice with the Salute 1840-1845 Tate Britain, London: 62.2 x 92.7 A Wreck, with Fishing Boats 1840-1845 Tate Britain, London ...
Duncan was a prolific exhibitor of his works, showing more than 40 at the Royal Academy and the Society of British Artists, and including more than 500 watercolors and drawings within the shows of the Old and New Watercolor Societies during his career. His works include; The Shipwreck, 1859; The Life-Boat, 1860; Blue Lights
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James Milton Sessions (September 20, 1882 - November 14, 1962) was an American artist born in Rome, NY.Sessions was a master watercolorist of marine, sporting, and military World War II scenes.
The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. [1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade.
Fishing Boats at Saintes-Maries: 31 July-6 August 1888 Solomon R. Guggenheim Museum, New York Arles F 1430a JH 1526 Harvest Landscape: 31 July-6 August 1888 National Gallery of Art, Washington D.C. Arles F 1486 JH 1527 Fishing Boats at Saintes-Maries-de-la-Mer: 31 July-6 August 1888 Saint Louis Art Museum: Arles F 1433 JH 1528
The Sea at Les Saintes-Maries-de-la-Mer (F415) depicts three boats floating on a calm sea with special attention to light and color. A fisherman is visible guiding the boat in the painting’s foreground. The painting’s high horizon places emphasis on the vast sea, with varying shades of blue and green standing out against the boats. [3]
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