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Private School (also titled Private School ... for Girls) is a 1983 American teen sex comedy film, directed by Noel Black. [3] Starring Phoebe Cates, Betsy Russell, and Matthew Modine, it follows a teenaged couple attempting to have sex for the first time, while their friends engage in sexually minded practical jokes.
Zapped! was initially released on VHS, CED videodisc, and on LaserDisc by Embassy Pictures in 1983, and later reissued by MGM Home Entertainment on VHS. It was released on DVD on February 12, 2008. In June 2008, 20th Century Fox Home Entertainment issued it as a double feature with Making the Grade .
Kathleen Wilhoite (born June 29, 1964) is an American actress and musician. She made her feature film debut in Private School (1983) before having a leading role in Murphy's Law (1986), followed by supporting parts in Witchboard (also 1986), Crossing Delancey (1988), Road House (1989), and Lorenzo's Oil (1992).
Private School: Universal Pictures: Noel Black (director); Dan Greenburg, Suzanne O'Malley (screenplay); Phoebe Cates, Betsy Russell, Matthew Modine, Michael Zorek, Ray Walston, Sylvia Kristel, Fran Ryan, Kathleen Wilhoite, Jonathan Prince, Kari Lizer, Julie Payne, Frank Aletter, Frances Bay, Lynda Wiesmeier: A U G U S T: 5 Daffy Duck's ...
Kate Beckinsale has a cheeky way of dealing with whatever life throws at her. The Underworld actress, 50, posted a video of herself via Instagram on Monday, July 1, in which she could be seen ...
Jan. 25—The West Virginia Senate is advancing a bill that would force schools to show students an anti-abortion propaganda film produced by an extreme "pro-life " group that became infamous for ...
She was offered her first part in the movie Paradise (1982) after a screen test in New York. She was uncertain about the nudity the role required, but her father encouraged her to take the job. [12] Paradise was filmed in Israel from March to May 1981. [15] In the film, Cates performed several full-frontal nude scenes and several rear scenes ...
Grindhouse is an American term for a theater that mainly showed exploitation films. These theatres were most popular throughout the 1970s and early 1980s in New York City and other urban centers, mainly in North America, but began a long decline during the mid-1980s with the advent of home video.