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Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Young Volhynians. Volhynian folk costume (Ukrainian: Волинський стрій) is a type of Ukrainian national clothing worn in Volhynia.The costume includes Polesia influences such as colourful ochipoks, fitted corset-like waistcoats and striped skirts, as well as Dnieper Ukraine: namitka headscarfs, kersetka [] vests and dark skirts.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
The Garibaldi jacket or Garibaldi shirt were bright red woolen garments for women with black embroidery or braid and military details popular in the 1860s; they are named after the Italian revolutionary Giuseppe Garibaldi who visited England in 1863. The Eisenhower jacket or "Ike" jacket is a waist-length, military jacket of World War II origins.
Nubian Egyptian women either wear a sari-like garment called a shugga over a modest dress if they are Kunuz, or a long loose dress with a train called a girgar if they are Fadiga. The Girgar is made of sheer black cloth, these days commonly of black lace. In the early 20th century it was a very loose and simple garment, resembling the tob sebleh.
As English loanwords, both "cheongsam" and "qipao" describe the same type of body-hugging dress worn by Chinese women, and the words could be used interchangeably. [5]The term cheongsam is a romanization of Cantonese word chèuhngsāam (長衫; 'long shirt/dress'), which comes from the Shanghainese term zansae.
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