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"Up and Down This World Goes Round", three voice round by Matthew Locke. [1] Play ⓘ. A round (also called a perpetual canon [canon perpetuus], round about or infinite canon) is a musical composition, a limited type of canon, in which multiple voices sing exactly the same melody, but with each voice beginning at different times so that different parts of the melody coincide in the different ...
Both the Round World Version and the New Flat World Version were included in the 1993 Morgoth's Ring. [T 3] The latter is a more faithful reproduction of Tolkien's manuscript than the edited version in The Silmarillion. [1] Tolkien wrote a Round World Version of the Akallabêth, [1] possibly in 1948 to match the Ainulindalë Round World Version ...
[1] [2] [3] Only in the 16th century did the word "canon" begin to be used to describe the strict, imitative texture created by such a procedure. [2] The word is derived from the Greek "κανών", Latinised as canon, which means "law" or "norm". In contrapuntal usage, the word refers to the "rule" explaining the number of parts, places of ...
Jun. 19—CAMPTON — A New York man died and two others were injured in a crash involving three motorcycles on Interstate 93 in Campton on Saturday, State Police said. Anthony Caton, 41, of Round ...
The term Middle-earth canon, also called Tolkien's canon, is used for the published writings of J. R. R. Tolkien regarding Middle-earth as a whole. The term is also used in Tolkien fandom to promote, discuss and debate the idea of a consistent fictional canon within a given subset of Tolkien's writings.
John Hilton's Catch That Catch Can [7] is described as "A choice collection of Catches rounds and canons". Inside there is a table of "catches and rounds in this book", followed by "a table of the Sacred Hymns and Canons"; however, none of the first section is specifically described as catch or round.
[1] Differences between micropolyphonic texture and conventional polyphonic texture can be explained by Ligeti's own description: Technically speaking I have always approached musical texture through part-writing. Both Atmosphères and Lontano have a dense canonic structure. But you cannot actually hear the polyphony, the canon.
At the end of the Second Age, Númenor was destroyed and Valinor removed from Arda. [2] The outlines of the continents are purely schematic. Tolkien's Middle-earth was part of his created world of Arda. It was a flat world surrounded by ocean. It included the Undying Lands of Aman and Eressëa, which were all part of the wider creation, Eä.