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"Roses Are Red" is a love poem and children's rhyme with Roud Folk Song Index number 19798. [1] It has become a cliché for Valentine's Day , and has spawned multiple humorous and parodic variants. A modern standard version is: [ 2 ]
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The Choise of Valentines Or the Merie Ballad of Nash His Dildo, which alternatively acquired the label "Nashe's Dildo", [1] is an erotic poem by Thomas Nashe, thought to have been composed around 1592 or 1593. [2] The poem survives in three extant manuscript versions [3] [4] and was first printed in 1899. [5]
Gilbert did not start signing his drawings "Bab" regularly until 1866, and he did not start calling the poems "Bab Ballads" until the first collected edition was published in 1869. From then on his new poems in Fun were captioned "The Bab Ballads". Gilbert also started numbering the poems, with "Mister William" (published 6 February 1869) as No ...
He was poetry editor of the literary magazine Envoy from 1949 to 1951. He also produced translations from the Irish language, including Dialann Deoraí by Dónall Mac Amhlaigh , ( An Irish Navvy , 1964); and Rotha Mór an tSaoil by Micí Mac Gabhann ( The Hard Road to Klondike , 1973), and a translation of the German poet Rilke ( Beatha Mhuire ...
George Donald Valentine (1877–1946) was a Scottish sheriff, and writer of romantic-style short stories, plays and verse. He graduated from the University of Glasgow and was considered for Examinerships in Mathematics and Natural Philosophy at both Glasgow and St Andrews Universities.
In the Donald Duck 10-pager "Raven Mad" by Carl Barks, published in Walt Disney's Comics and Stories #265 in 1962, Huey, Dewey and Louie play with a raven who can only say "Nevermore." As in the poem, the raven often repeats the word throughout the story. Sections of "The Raven" are quoted in Hubert Selby Jr's 1964 novel Last Exit to Brooklyn ...
[1] [2] The short, narrative poems generally focus on glorifying the concept of courtly love by the adventures of their main characters. [3] Marie's lais are thought to form the basis for what would eventually become the genre known as the Breton lais. [ 4 ]