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Melencolia I is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy.
They are Knight, Death and the Devil (1513), Melencolia I (1514) and St. Jerome in His Study (1514). These three large prints (about 7 by 10 inches (18 by 25 cm)) are often grouped together because of their perceived quality and unity of meaning, although this latter is a matter of scholarly dispute.
Melencolia I, Albrecht Dürer, engraving, 1514. The art historian Christa Grössinger described the drawing as the "most affecting of all" of Dürer's portraits. [9] David Price wrote of its "rough depiction of her flesh emaciated by old age", and "existential piety in the cast of Barbara Dürer's right eye, which, almost unnaturally, directs her vision heavenward."
Pages in category "Prints by Albrecht Dürer" The following 22 pages are in this category, out of 22 total. ... Melencolia I; P. Portrait of Erasmus (Dürer) R.
Melencolia I: 1514: Copper engraving: 239 × 188 mm: B74 Virgin and Child on the Crescent Moon with a Diadem: 1514: Copper engraving: 118 × 76 mm: B33 The Apostle Paul: 1514: Copper engraving: 118 × 74 mm: B50 The Apostle Thomas: 1514: Copper engraving: 117 × 75 mm: B48 Man of Sorrows, Seated: 1515: Etching: 112 × 67 mm: B22 Agony in the ...
Detail of Melencolia I. The order four normal magic square Albrecht Dürer immortalized in his 1514 engraving Melencolia I, referred to above, is believed to be the first seen in European art. The square associated with Jupiter appears as a talisman used to drive away melancholy.
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