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I Disegni di Leonardo da Vinci e della sua cerchia nel Gabinetto dei Disegni e Stampe delle Gallerie dell'Accademia di Venezia [The Drawings of Leonardo da Vinci and his circle in the Cabinet of Drawings and Prints of the Galleries of the Academy of Venice] (in Italian). Florence: Giunti Editore. ISBN 978-88-09-03472-3.
Leonardo da Vinci began studying the anatomy of the human body in the late 1470s and may have participated in the first dissections at the University of Padua. His records indicate that he began performing autopsies himself around 1505. [3] By the year 1518, he reported that he had performed a total of thirty autopsies during his lifetime.
Écorché by Leonardo da Vinci. An écorché ( French pronunciation: [ekɔʁʃe] ) is a figure drawn, painted, or sculpted showing the muscles of the body without skin, normally as a figure study for another work or as an exercise for a student artist.
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The Drapery Study for the Virgin is a drawing by Leonardo da Vinci in the Louvre.Executed in charcoal, Indian ink, and gray wash, with highlights of ceruse white on yellowed, black-tinted paper, it is a preparatory study for the drapery of the Virgin Mary's cloak in Leonardo's painting The Virgin and Child with Saint Anne, also in the Louvre.
Leonardo had considerable practice rendering nature, having made what is arguably the first pure landscape drawing in Western art — a pen-and-ink view down the Arno River valley, seen from a ...
Angelo incarnato is a sketch attributed to the renowned Italian Renaissance artist Leonardo da Vinci. The drawing is believed to be a portrait of Leonardo's apprentice, Gian Giacomo Caprotti da Oreno, also known as Salaì. [1] Salaì served as both a companion and model for Leonardo for over two decades, playing a key role in the artist's workshop.
La Joconde nue or Monna Vanna is a 1514–1516 charcoal drawing with white highlights by the school of Leonardo da Vinci. It is a semi-nude portrait of a woman, 28-by-21 inch in size. [ 1 ] The position of the subject's hands and body are almost identical to that of Leonardo's Mona Lisa , leading some experts to suggest this work may be a ...
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