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The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène ...
Concerto for Harp and Chamber Orchestra, Op. 69 (1977) [45] Geirr Tveitt. Harp Concerto No. 1 (Lost) Harp Concerto No. 2 "Concerto Eroico" op.170 (1957) [46] Heitor Villa-Lobos. Harp Concerto (1953) Georg Christoph Wagenseil. Concerto for Harp and strings in F, WWV 281 (1761) John Williams. On Willows and Birches (2009) Mario Zafred
Sutton Hoo Lyre replica, British Museum. The Anglo-Saxon lyre, also known as the Germanic lyre, a rotta, or the Viking lyre, is a large plucked and strummed lyre that was played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe.
Alternatively, the medieval harp may have evolved from the ancient four-sided harp. Artistic representations range from specifically accurate to general approximations which account for the variety in opinions of origin and construction. The Celtic harp developed into an instrument distinct from other types of medieval harp. For instance, it ...
The old Hallstatt Museum An old display case from the former museum, used to display Hallstatt grave goods. The earliest discoveries were made in 1846 by Johann Georg Ramsauer, who was the Bergmeister or Official of the Habsburg Salt Mines. He started a series of meticulous excavations on the cemeteries around the mines between 1846 and 1867.
The earliest archaeological culture that is conventionally termed Celtic, the Hallstatt culture (from "Hallstatt C" onwards), comes from the early European Iron Age, c. 800 –450 BC. Nonetheless, the art of this and later periods reflects considerable continuity, and some long-term correspondences, with earlier art from the same regions, which ...
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