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The most powerful love poems, I think, address the fact that we are here now and one day won’t be. Keats’s “Ode on Melancholy” is an exquisite example. Keats knew immense suffering in his ...
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
The vernacular poetry of the romans courtois, or courtly romances, included many examples of courtly love. Some of them are set within the cycle of poems celebrating King Arthur's court. This was a literature of leisure, directed to a largely female audience for the first time in European history. [5]
When The Nightingale Sings is a Middle English poem, author unknown, recorded in the British Library's Harley 2253 manuscript, verse 25. It is a love poem, extolling the beauty and lost love of an unknown maiden.
The first lines of the poem in a manuscript dating from c. 1520. The poet opens by addressing the wind, calling it a strange being, going where it wills, and subject to none of the physical or legal restraints of ordinary human life. After praising it for its power the poet goes on to compare it to an author, a sower of leaves, and a jester.
Modern Love by George Meredith is a sequence of fifty 16-line sonnets about the failure of a marriage, an episodic verse narrative that has been described as "a novella in verse". [1] Earlier working titles for the sequence were "The Love-Match" and then "The Tragedy of Modern Love". [2]
Dargomyzhsky's setting of the poem. "I Loved You" (Russian: Я вас любил, Ya vas lyubíl) is a poem by Alexander Pushkin written in 1829 and published in 1830. It has been described as "the quintessential statement of the theme of lost love" in Russian poetry, [1] and an example of Pushkin's respectful attitude towards women.