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In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in Istanbul. The panel included the experts on Islamic geometric pattern Carol Bier, [g] Jay Bonner, [h] [66] Eric Broug, [i] Hacali Necefoğlu [j] and Reza Sarhangi.
Early examples of Islamic geometric patterns made of straight strap lines can be seen in the architecture of the surviving gateway of the Ribat-i Malik caravanserai, Uzbekistan, built in 1078. [4] The wild application of girih on architectures should credit to the close relationship between Islamic architecture, geometry, and craft.
Girih geometric pattern at the Darb-e Imam, Isfahan. The historic world of Islamic art is widely known to be the most proficient in its use of geometric patterns for artistic expression. [16] Islamic geometric patterns developed in two different regions.
The arabesques and geometric patterns of Islamic art are often said to arise from the Islamic view of the world (see above). The depiction of animals and people is generally discouraged, which explains the preference for abstract geometric patterns. There are two modes to arabesque art.
Girih tiles Patterned Girih tiles Construction lines are usually hidden: geometric tiles on left, girih pattern on right. Girih tiles are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork ( girih ) for decoration of buildings in Islamic architecture .
Religious Islamic art has been typically characterized by the absence of figures and extensive use of calligraphic, geometric and abstract floral patterns. Nevertheless, representations of human and animal forms historically flourished in nearly all Islamic cultures, although, partly because of opposing religious sentiments, living beings in ...
In western Islamic art, under the Nasrid and Marinid dynasties, a great variety of geometric patterns were created for architectural decoration. Among the most common was a pattern employing six-pointed and twelve-pointed star compositions, with eight-pointed stars inserted between them.
The geometric or floral, interlaced forms, taken together, constitute an infinitely repeated pattern that extends beyond the visible material world. [107] Figural motifs, such as animals, humans, and imaginary creatures, have a rich tradition in Islamic art, though they generally more stylized than naturalistic. [ 108 ]
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