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Mozarabic art is a diverse and hybrid artistic expression that flourished primarily in al-Andalus and in the Kingdom of León during the 9th and 10th centuries. It is characterized by a fusion of influences, especially Andalusian, and displays a classical continuity, either in the Visigothic tradition of the north or with the refined Caliphate of Córdoba, rooted in Byzantine origins.
Single Pylon, Double Pylon, Step, Proto-Hegr, and Hegr are characterised by variations on the crowstep motif, combined with elements from classical architecture. Arch, Simple Classical, and Complex Classical have only classical motifs, which have been given Nabataean interpretation. [31] At Petra, there is a series of tombs called the "Royal ...
Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [3] [2] Three-dimensional muqarnas was often also carved in stucco, [24] [7] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
Iznik ceramics and classical Ottoman architecture thus reached their greatest heights of achievement around the same time, during the reign of Suleiman and his immediate successors. [40] Sinan generally used tile decoration in a fairly restrained manner and seems to have preferred focusing on the architecture as a whole rather than on ...
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
This trend combined "neo-Ottoman" motifs with other motifs from wider Islamic architecture. [183] [184] The eclecticism and European imports of the 19th century eventually led to the introduction of Art Nouveau, especially after the arrival of Raimondo D'Aronco in the late 19th century. D'Aronco came at the invitation of Sultan Abdülhamid II ...
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Classical Ottoman architecture is a period in Ottoman architecture generally including the 16th and 17th centuries. The period is most strongly associated with the works of Mimar Sinan , who was Chief Court Architect under three sultans between 1538 and 1588.