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Pottery mound polychrome ware was often slipped with a different color on the inside of the vessel than on the exterior. [29] It was then decorated with various mineral paints before firing, in red, black and ochres. Ceramics found at Pottery mound was not only produced there, but imported from as far away as Hopi, Acoma and Zuni lands. [30] [31]
Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called "The Four Matriarchs" who "revived the ancient style of Acoma pottery."
Acoma has been spelled in various other ways in historical documents, including ákuma, ákomage, Acus, Acux, Aacus, Hacús, Vacus, Vsacus, Yacco, Acco, Acuca, Acogiya, Acuco, Coco, Suco, Akome, Acuo, Ako, and A’ku-me. The Spanish mission name was San Esteban de Acoma. [8] Pueblo is the Spanish word for 'village' or 'small town' and 'people ...
Marie Chino, Acoma; Vera Chino, Acoma; Helen Quintana Cordero, Cochiti Pueblo; Arthur and Hilda Coriz, Kewa Pueblo (Santo Domingo) Juanita Suazo Dubray, Taos Pueblo; Anthony Durand, Picuris Pueblo; Cora Durand, Picuris Pueblo (1902–1998) Felipita Aguilar Garcia, Kewa Pueblo; Tammy Garcia, Santa Clara Pueblo (born 1969) Bill Glass Jr ...
Lewis' daughter, Dolores Lewis Garcia, once noted: "My mother, Lucy M. Lewis, began making pottery at about age seven and attracted public attention for her work in the 1950s...Our family would buy books to look up the old pottery designs and Dr. Kenneth M. Chapman from the Museum of New Mexico suggested to us to use the Mimbres designs and they have become very popular for us today.
Garcia was born on the Acoma Pueblo in New Mexico, and is one of nine children born to Acoma potter and matriarch Lucy M. Lewis, who taught many of her children the traditional pottery-making process rooted in their ancient tradition, [3] including potters Anne Lewis Hansen, Mary Lewis Garcia, Emma Lewis Mitchell, Drew Lewis, and Carmel Lewis.
The pottery is made in white and black and polychrome colors. Designs are pressed into all-white pottery with a fingernail or tool. [17] Potters from Acoma Pueblo during the 1950s include Marie Z. Chino and Lucy M. Lewis. Vera Chino Ely, the daughter of Marie Chino, is also a well-reputed potter of Acoma pottery.
Rachel Concho (born 1936) is a Native American artist and potter of the Acoma Pueblo.She is best known for her painted seed jars: small circular pots, nearly closed except for a small hole at the top, used for storing seeds from one harvest for planting in the next.
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