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The Hands of Caravaggio, an album from 2001 by electro-acoustic improvisation group M.I.M.E.O. was inspired by the painting. The painting was the subject of a special Easter program in 2009 in the BBC series The Private Life of a Masterpiece. Mel Gibson said that the cinematography in The Passion of the Christ aimed to imitate Caravaggio's ...
Judas was both a disciple of Jesus and one of the original twelve Apostles. Most Apostles originated from Galilee but Judas came from Judea. [5] The gospels of Matthew (26:47–50) and Mark (14:43–45) both use the Greek verb καταφιλέω, kataphiléō, which means to "kiss, caress; distinct from φιλεῖν, philein; especially of an amorous kiss."
Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
The Holy Infants Embracing is a painting by Leonardo da Vinci. It represents the infant Christ embracing his cousin John the Baptist . The subject matter relates to the two paintings of the Virgin of the Rocks by Leonardo and numerous other Renaissance works by Raphael and others of the meeting of the two children on the road to Egypt while ...
[2] A week later, Jesus appeared and told Thomas to touch him and stop doubting. Then Jesus said, "Because you have seen me, you have believed; blessed are those who have not seen and yet have believed." [3] The painting shows in a demonstrative gesture how the doubting apostle puts his finger into Christ's side wound, the latter guiding his hand.
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus , celebrated at Christmas , are based on the narratives in the Bible, in the Gospels of Matthew and Luke , and further elaborated by written, oral and artistic tradition.
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.
Christ taking Leave of his Mother, by Albrecht Altdorfer c. 1520, one of the treatments with a landscape background.. The subject does not illustrate any Biblical passage, but derives from one of the Pseudo-Bonaventura's "Meditations on the life of Christ" (1308), and the "Marienleben" (German for "Life of the Virgin"; about 1300) by Philipp von Seitz [], also known as "Brother Philipp, the ...