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Italian chairs and sofas were also greatly inspired by the French fauteils, but Italian seats and settees' backs were usually longer and more fan-shaped, [1] rather than the French ones which were more oblong. As in the Baroque style, furniture for the wealthy was usually gilded with silver, gold or bronze.
The Great Bed in Saracen's Head. Grecian columns of singular disproportion form the main structure of bedsteads, tables, and cabinets. These columns are noted for their clumsy thickness, and in one of the first misapprehensions of the classic that mark the style, they rise from huge spherical clusters of foliage, usually the acanthus. At about ...
Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
The form of the bed and its covering evolved under Louis XV. Early beds had four posts and a canopy suspended from a rectangular form on top. Under Louis XV, the Lit à la polonaise appeared, with a canopy suspended from a crownlike structure; and the Lit à la Duchesse, where the canopy was supported only from one end. The bed was usually ...
A chaise longue sofa An 18th-century rococo chaise longue A late 19th-century chaise longue. A chaise longue (/ ʃ eɪ z ˈ l ɒ ŋ, tʃ eɪ z-,-ˈ l ɒ̃ ɡ /; [1] French: [ʃɛz lɔ̃ɡ], "long chair") is an upholstered sofa in the shape of a chair that is long enough to support the legs of the sitter.
The kline, used from the late seventh century BCE, [33] was a multipurpose piece used as a bed, but also as a sofa and for reclining during meals. [34] It was rectangular and supported on four legs, two of which could be longer than the other, providing support for an armrest or headboard. [35]
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