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Some of the Moody Blues compilation and live albums list the song as "Tuesday Afternoon (Forever Afternoon)" to reflect both titles. "Tuesday Afternoon" was released as a single in 1968 and was the second single from Days of Future Passed (the first being " Nights in White Satin ").
The composing credit for the whole album was listed as Redwave/Knight (Redwave being a made-up collective name for the five Moody Blues), although "Nights in White Satin" and "Tuesday Afternoon" were written by Hayward, "Dawn Is a Feeling" and "The Sun Set" were written by Pinder, "Another Morning" and "Twilight Time" were written by Thomas ...
The Best of The Moody Blues: 20th Century Masters: The Millennium Collection. Released: 7 March 2000; ... "Tuesday Afternoon" b/w "Another Morning" — — 12 — 24
Days of Future Passed is the second studio album by English progressive rock band the Moody Blues by Deram Records. [8] It has been cited by Rock and Roll Hall of Fame and others as one of the earliest albums of the progressive rock genre and one of rock music's first concept albums.
David Justin Hayward [1] [2] OBE (born 14 October 1946) is an English musician. He was the guitarist and frontman of the rock band the Moody Blues from 1966 until that group's dissolution in 2018.
Anthology is a compilation album by the progressive rock band the Moody Blues. It was released in the US on 20 October 1998. It was released in the US on 20 October 1998. It was not released in the UK until 2001 under the title The Collection with different artwork but with the same tracks as the US release.
This Is The Moody Blues is a two LP (later two CDs) compilation album by the Moody Blues, released in late 1974 while the band was on a self-imposed sabbatical.Though all of the songs were previously released on albums (with the exception of "A Simple Game" which was a 1968 B-side), several of them are heard here in distinctly different mixes.
Caught Live is the first Moody Blues album since Days of Future Passed not to feature cover artwork by Philip Travers. Decca Records instead used British art design group Hipgnosis . The "+5" studio tracks were re-released on their 1987 album Prelude .
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