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New York City Center (previously known as the Mecca Temple, City Center of Music and Drama, and the New York City Center 55th Street Theater [3]) is a performing arts center at 131 West 55th Street between Sixth and Seventh Avenues in the Midtown Manhattan neighborhood of New York City.
According to The New York Times, "The chief competition for The Lion King was Ragtime, a lavish musical." [ 7 ] The New York Times also noted that "The season was an artistic success as well, creating one of the most competitive Tony contests in years, with a battle in almost every category capped by the titanic struggle for the best musical ...
The Centers for Medicare & Medicaid Services (CMS) is a federal agency within the United States Department of Health and Human Services (HHS) that administers the Medicare program and works in partnership with state governments to administer Medicaid, the Children's Health Insurance Program (CHIP), and health insurance portability standards.
Health Insurance Plan of Greater New York (HIP) was incorporated in 1944 as the first health insurance plan for public service workers. [9] The company was founded by David M. Heyman with the support of New York City mayor Fiorello La Guardia, who wanted to offer medical services to New Yorkers of “moderate means.” [10] HIP got its first members in 1947.
Yet there are gaps in how the billions of taxpayer-supported funding for Medicaid programs in New York addresses maternal health needs. ... In a Rust Belt city split by ... California’s maternal ...
Encores! is a Tony-honored concert series dedicated to reviving American musicals, usually with their original orchestrations. [1] Presented by New York City Center since 1994, Encores! has revived shows by Irving Berlin, Rodgers & Hart, George and Ira Gershwin, Cole Porter, Leonard Bernstein, and Stephen Sondheim, among many others.
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Ragtime (I) is the second of three ballets made by New York City Ballet's co-founder and balletmaster George Balanchine to Igor Stravinsky's 1918 Ragtime for Eleven Instruments; with scenery by Robert Drew previously used for Lew Christensen's 1947 work for Ballet Society, Blackface; costumes by Karinska and lighting by David Hays.