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In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
The similarity of "jazz" to "jasm", an obsolete slang term meaning spirit, energy, and vigor, and dated to 1860 in the Random House Historical Dictionary of American Slang (1979), suggests that "jasm" should be considered the leading candidate for the source of "jazz".
Meter animates time in regular pulse groupings, called measures or bars, which in Western classical, popular, and traditional music often group notes in sets of two (e.g., 2/4 time), three (e.g., 3/4 time, also known as Waltz time, or 3/8 time), or four (e.g., 4/4 time). Meters are made easier to hear because songs and pieces often (but not ...
See Free time (music). Finally some music, such as some graphically scored works since the 1950s and non-European music such as Honkyoku repertoire for shakuhachi, may be considered ametric. [49] Senza misura is an Italian musical term for "without meter", meaning to play without a beat, using time to measure how long it will take to play the ...
Atonality in its broadest sense is music that lacks a tonal center, or key. Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [1]
Musical Terms - Glossary of music terms from Naxos; Monthly Online Features From Bloomingdale School of Music, addressing a variety of musical topics for a wide audience; Arts and Music Uplifting Society towards Transformation and Tolerance Articles meant to stimulate people's awareness about the peace enhancing, transforming,
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Baroque Period (1600—1750) "The system of major and minor scales developed during the early part of the baroque period. This coincided with the emergence of key consciousness in music." [3] Classical Period (1750—1825) "The major and minor keys were the basis of music in the classical period. Chromaticism was decorative for the most part ...