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Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
In addition to the colored painting known as "Iro-Nabeshima," occasionally "blue-and-white" designs using cobalt blue, celadon or a rusty glaze are known to exist. The most common "Iro-Nabeshima" is a technique in which a design is painted over a vessel with a blue-and-white design, and then the vessel is fired again with a low-temperature ...
Tea-leaf jar with a design of wisteria (色絵藤花文茶壺, iroe fujihanamon chatsubo) [13] Nonomura Ninsei: Blooming wisteria flowers painted over a warm white glaze in enamels of red, purple, gold and silver; base is orange and has a stamp mark reading "Ninsei"; passed down in the Kyogoku family of the Marugame domain, present day Kagawa ...
Blue porcelain vase decorated with red and yellow flowers and green foliage with geometric design around the neck and foot rim, by Imaemon Imaizumi XII (Living National Treasure). It was gifted by Emperor Shōwa and Empress Kōjun on the occasion of their first visit to the United States to President Gerald R. Ford in 1975.
Typical Hasami ware uses underglaze cobalt blue and celadon, but at first they produced stonewares. Later the materials for porcelain were found, so gradually Hasami ware shifted from pottery to porcelain. In the late Edo period, Hasami was the number one producer of blue-and-white porcelain in Japan, and bottles and other products were exported.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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