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In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this adjustment is to render specific colors – particularly neutral colors like white or grey – correctly.
Other applications of image color transfer have been suggested. These include the co-option of color palettes from recognised sources such as famous paintings and the use as a further alternative to color modification methods commonly found in commercial image processing applications such as ‘posterise’, ‘solarise’ and ‘gradient’. [6]
In video systems, white balance can be achieved by digital or electronic manipulation of the signal and hence color-correction filters are not entirely necessary. However, some digital cinema cameras can record an image without any digital filtering applied; using physical color-correction filters to white balance (instead of digital or ...
A photo of the gray card is taken and used to set white balance for a sequence of photos. For post-processing white balance, a photo of the gray card in the scene is taken, and the image processing software uses the data from the pixels in the gray card area of the photo to set the white balance point for the whole image.
Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white balance may be enhanced whether for motion pictures, videos ...
Nearly all digital cameras can process the image from the sensor into a JPEG file using settings for white balance, color saturation, contrast, and sharpness that are either selected automatically or entered by the photographer before taking the picture. Cameras that produce raw files save these settings in the file, but defer the processing.
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Moving vertically in the color sphere, colors become lighter (toward the top) and darker (toward the bottom). At the upper pole, all hues meet in white; at the bottom pole, all hues meet in black. The vertical axis of the color sphere, then, is gray all along its length, varying from black at the bottom to white at the top. All pure (saturated ...