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The verses that generally constitute the modern version of the song are: [4] I've been working on the railroad All the live-long day. I've been working on the railroad Just to pass the time away. Can't you hear the whistle blowing, Rise up so early in the morn; Can't you hear the captain shouting, "Dinah, blow your horn!" Dinah, won't you blow,
In the morning all the workers are getting ready for their jobs (All the Livelong Day). Mike Dillard, a steelworker, talks about the dangers of his job. Some people get caught in a (Traffic Jam) on the highway. Some of the cars stop at an office building where Al Calinda, a parking lot attendant is working.
The lyrics are set to the tune of "I've Been Working on the Railroad". A comparison of the lyrics of that song and "The Eyes of Texas" shows the nature of the parody in the latter: I’ve Been Working on the Railroad. I’ve been working on the railroad, All the live-long day. I’ve been working on the railroad, Just to pass the time away.
"Working" is a song by Canadian singer Tate McRae and American singer Khalid, released on June 17, 2021, by RCA Records. The song was written alongside Sarah Aarons and producer Joel Little . "Working" peaked within the top 50 in Canada, and also appeared on singles charts in the United States, Ireland, and Sweden.
"Drill, Ye Tarriers, Drill" is an American folk song first published in 1888 and attributed to Thomas Casey (words) and later Charles Connolly (music). It is listed as number 4401 in the Roud Folk Song Index. [1] The song is a work song, and makes references to the construction of the American railroads in the mid-19th century. The title refers ...
Sabrina Carpenter has given us all a shot of espresso — in song form. "Espresso" is on track to becoming one of Carpenter's most popular songs to date — and has undeniable song of the summer ...
Irish TikTok creator and budding Spotify artist Aimee Carty (@AimeeCarty), 20, posted a video to TikTok on Dec. 6, 2023, singing her newest song, “2 Days Into College,” while accompanying ...
Their music has been characterised as "a younger, darker Pogues with more astonishing power". [13] Reviewing their third album The Livelong Day (2019) for The Guardian, Jude Rogers described it as "a folk album influenced by the ambient textures of Sunn O))) and Swans, plus the sonic intensity of Xylouris White and My Bloody Valentine". [14]