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The servant has an exalted status in the eyes of God, but people despise him and consider him hated by God (Isa 52:13-53:3). The servant's violent torture and death. This passage uses violent language to describe the fate of the servant, including suffering, smitten, afflicted, wounded, crushed, bruising, cut off, anguished and exposed to death.
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
The servant songs (also called the servant poems or the Songs of the Suffering Servant) are four songs in the Book of Isaiah in the Hebrew Bible, which include Isaiah 42:1–4; Isaiah 49:1–6; Isaiah 50:4–11; and Isaiah 52:13–53:12. The songs are four poems written about a certain "servant of YHWH" (Hebrew: עבד יהוה, ‘eḇeḏ ...
God calls the servant to lead the nations, but the servant is horribly repressed. In the end, he is rewarded. Those four poems are: Isaiah 42:1–9; Isaiah 49:1–12; Isaiah 50:4–9; Isaiah 52-53; The second of the "servant songs" begins at Isaiah 49:1, continuing through 49:12. This poem, written from the Servant's point of view, is an ...
[13] Jewish scholars, and several Christian scholarly books, like Revised Standard Version Oxford Study Edition Bible, The Revised Standard Version tell us that Isaiah 53 is about national Israel and the New English Bible echo this analysis. Judaism, teaches that the "servant" in question is actually the nation of Israel. These scholars also ...
In Matthew 12:17–21, Isaiah 42:1–4 is cited as a fulfillment of Isaiah's prophecies in the life and work of Jesus Christ: And great multitudes followed Him, and He healed them all. Yet He warned them not to make Him known, that it might be fulfilled which was spoken by Isaiah the prophet, saying: "Behold! My Servant whom I have chosen,
Choral meditations on aspects of the suffering of Jesus on the cross include arrangements such as Buxtehude's Membra Jesu Nostri, a 1680 set of seven Passion cantatas, and the first such Lutheran treatment, incorporating lyrics excerpted from a medieval Latin poem and featuring Old Testament verses that prefigure the Messiah as suffering servant.
The verse from Isaiah 53:5 has traditionally been understood by many Christians to speak of Jesus as the Messiah. [34] The claim frequently advanced by Christian apologists is that the noted Jewish commentator, Rashi (1040 CE – 1105 CE), was the first to identify the suffering servant of Isaiah 53 with the nation of Israel.