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God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]
The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2] In the scripture, Martha is doing all the work to serve as hostess to Jesus, while her sister sat with him. [2] She reproved Mary for sitting while she did all the work. [2]
Four coloured cloth bookmarks are tied to a gold bar near the top of the spine. According to Lorne Campbell, the manuscript "looks rather like a 13th-century French Bible" and is "clearly a devotional text". [10] It was rare for contemporary portraits to show women reading, and if the model herself could read then she was likely from a noble ...
Anna (Hebrew: חַנָּה, Ḥana; Ancient Greek: Ἄννα, Ánna), distinguished as Anna the Prophetess, is a woman mentioned in the Gospel of Luke. According to that Gospel, she was an elderly woman of the Tribe of Asher who prophesied about Jesus at the Temple of Jerusalem. She appears in Luke 2:36–38 during the presentation of Jesus at ...
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The late 6th-century Rabbula Gospel book which includes one of the earliest Crucifixion sequences in a manuscript also depicts an empty tomb under the Crucifixion panel, with an angel seated there who greets two women. Rays of light strike down Roman soldiers, and Jesus greets the two women, who kneel to adore him. [8]
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