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  2. EBU R 128 - Wikipedia

    en.wikipedia.org/wiki/EBU_R_128

    EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]

  3. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds.

  4. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Yes: up to 5 full range audio channels and an LFE-channel with MPEG Multichannel: Musepack: Subband: 32, 37.8, 44.1, 48 kHz 20–350 kbit/s ? No Yes Yes Yes: Up to 8 channels Opus: MDCT, LPC, LTP: 8–48 kHz 6–510 kbit/s 5–66.5 ms Yes Yes Yes Yes: Up to 255 channels [59] RealAudio: MDCT: Varies (see article) Varies (see article) Varies Yes ...

  5. Empirical Labs Distressor - Wikipedia

    en.wikipedia.org/wiki/Empirical_Labs_Distressor

    The Distressor is an analog VCA compressor with a soft knee and a fixed threshold.Its ratio, attack and release times, and input and output gain are all variable. The device has built-in options for tube and tape distortion emulation and high-pass filtering, as well as a built-in side-chain allowing for the compressed signal (but not the output) to be high-passed, boosted at 6 kilohertz and/or ...

  6. High-Efficiency Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/High-Efficiency_Advanced...

    High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO/IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized for low- bitrate applications such as streaming audio .

  7. Dolby AC-4 - Wikipedia

    en.wikipedia.org/wiki/Dolby_AC-4

    When Dolby AC-4 was tested by the DVB the Multiple Stimuli with Hidden Reference and Anchor test (MUSHRA) score was 90 at 192 kbit/s for 5.1 channel audio. [1] When tested for ATSC 3.0 the bit rates needed for the required audio score was 96 kbit/s for stereo audio, 192 kbit/s for 5.1 channel audio, and 288 kbit/s for 7.1.4 channel audio. [1]

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  9. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate .