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Chaum started the company DigiCash in 1989 with "ecash" as its trademark. He raised $10 million from David Marquardt and by 1997 Nicholas Negroponte was its chairman. [4] Yet, in the United States, only one bank — the Mark Twain bank in Saint Louis, MO — implemented ecash, testing it as micropayment system; [5] Similar to credit cards, the system was free to purchasers, while merchants ...
Bulcsú (Sándor Csányi) is a ticket inspector on the underground; he spends his nights sleeping on the train platforms, and never leaves the underground.His ragtag team of inspectors – consisting of the veteran Professzor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) – is routinely ...
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
Address Unknown (Hungarian: Címzett ismeretlen) is a 1935 Hungarian comedy film directed by Béla Gaál and starring Irén Ágay, Imre Ráday and Gyula Kabos. [1] [2] It was shot at the Hunnia Studios in Budapest and on location around Tihany and the resort town of Balatonföldvár on the shore of Lake Balaton.
Hungarian Rhapsody (Hungarian: Magyar rapszódia) is a 1979 Hungarian drama film directed by Miklós Jancsó. It was entered into the 1979 Cannes Film Festival. [1] It won Golden Peacock (Best Film) at the 7th International Film Festival of India. The film depicts "a peasant revolt in Hungary in the early twentieth century."
Magyar vándor (English: The Hungarian Strayer [1] or Hungarian Vagabond [2]) is a 2004 Hungarian action comedy film directed by Gábor Herendi and starring Károly Gesztesi, János Gyuriska and Gyula Bodrogi. The plot contains elements of time travel fiction.
Damnation is generally acclaimed by film critics, and many rank it one of Tarr's finest works. Review aggregator Rotten Tomatoes reports a 94% approval rating based on 17 reviews. Michael Atkinson of Village Voice called the film "a serotonin-depleted ordeal, and yet seemingly a sketchbook of vibes and ideas to come, with some of the most ...
Ildikó Enyedi at the film's press conference in Berlin. On review aggregator Rotten Tomatoes, the film has an approval rating of 100%, based on 9 reviews. [4] In one positive review, Silent London wrote that "the cinema is just one of the 20th-century ideas that illuminate this film – from politics through to science, technology and transport.