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Pride and Joy: Children's Portraits in the Netherlands, 1500–1700 (Dutch: Kinderen op hun mooist: het kinderportret in de Nederlanden 1500-1700), was an exhibition held jointly by the Frans Hals Museum in Haarlem and the Royal Museum of Fine Arts, Antwerp, over several months in 2000–2001. [1]
The Cholmondeley sisters and their swaddled babies. c.1600–1610. The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby.
Allegory of Peace, Art and Abundance; Amor Vincit Omnia (Caravaggio) Annunciation (El Greco, Illescas) Annunciation (El Greco, Prado, 1600) The Apparition of the Virgin to Saint Hyacinth; Assumption of the Virgin (Annibale Carracci, Rome)
In his times, Pliny complained of the declining state of Roman portrait art, "The painting of portraits which used to transmit through the ages the accurate likenesses of people, has entirely gone out…Indolence has destroyed the arts." [22] [23] These full-face portraits from Roman Egypt are fortunate exceptions. They present a somewhat ...
Study of a Young Woman (also known as Portrait of a Young Woman or Girl with a Veil) [2] [3] is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York. The painting was painted around the same time as the better-known Girl with a Pearl Earring and has a near ...
It gradually evolved towards portraits and still life paintings. At the beginning of her career she often produced historical paintings, such as the Wounded Warrior in the Snow (1880), At the Door of Linköping Jail in 1600 (1882) and The Death of Wilhelm von Schwerin (1886). Historical paintings were usually the realm of male painters, as was ...
The influence of both Reynolds and Raeburn can be seen in his work, including A Girl Drawing (1813) and the large group portrait The Children of the Earl of Elgin with their Nurse (c. 1805). [28] He was followed as president of the academy by his nephew John Watson Gordon (1788–1864), who also studied with Raeburn.
Source: [1] Suzanne de Court (fl. 1600) - enamel painter in the Limoges workshops, possibly the daughter of Jean de Court; Mademoiselle Alée - lace-maker; Louise Moillon (1610 - 1696) - painter of still lifes, of an artist family who were Protestant refugees from the southern Netherlands.