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Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, [1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
The toccatas represent Bach's earliest keyboard compositions known under a collective title. [1] The earliest sources of the BWV 910, 911 and 916 toccatas appear in the Andreas-Bach Book, [2] an important collection of keyboard and organ manuscripts of various composers compiled by Bach's oldest brother, Johann Christoph Bach between 1707 and 1713.
The Toccata in B-flat major is a piece for solo piano written in 1932 by Aram Khachaturian. It is a favorite of piano students, and has been recorded many times. Khachaturian wrote this work as the first movement of a three-movement suite for piano: Toccata; Waltz-Capriccio; Dance. [citation needed]
Suite (Toccata, Waltz-Capriccio, Dance) (1932; the Toccata is now best known as a piece separate from the suite) Dance No. 3 (1933) March No. 3 (1934) Budenovka, a mass dance (undated) Choreographic Waltz (1944) Three Pieces for two pianos (Ostinato, Romance, Fantastic Waltz) (1945) Album for Children No. 1, 10 pieces (1947) Waltz from ...
The first page of J. S. Bach's Toccata and Fugue in D minor, BWV 565. Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally ...
Concerto for Piano No. 1 in G major, Op. 46 (1927) Concerto for Piano No. 2 in F major, Op. 92 (1936–7) Cello Concerto for Violoncello in G minor, Op. 72 (1932–33) for Gregor Piatigorsky; Harp Concertino per arpa, quartetto d'archi e 3 clarinetti, Op. 93 (1936–37) Concertino for harp and chamber orchestra, Op. 93a (1938) Oboe
An opposed point of view holds that the orchestral Bachianas No. 2 was put together from preexistent and unrelated pieces, three originally for cello and piano (O canto do capadócio, O canto da nossa terra, and O trenzinho do caipira), the other (Lembrança do sertão) for solo piano (Peppercorn 1991a, 103; Peppercorn 1991b, 33–34).
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