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It is a room that can be made completely dark to allow the processing of light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water. Darkrooms have been used since the inception of photography in
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
To burn-in a print, the print is first given normal exposure. Next, extra exposure is given to the area or areas that need to be darkened. A card or other opaque object is held between the enlarger lens and the photographic paper in such a way as to allow light to fall only on the portion of the scene to be darkened.
A chemogram (from "chemistry", "optic" and gramma, Greek for "things written") [1] is an experimental art where a photographic image is partly or fully enlarged and processed onto photographic paper in the darkroom and afterwards selectively painted over in full light with chemicals used in photographic processing.
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The camera obscura (from the Latin for 'dark room') is a natural optical phenomenon and precursor of the photographic camera. It projects an inverted image (flipped left to right and upside down) of a scene from the other side of a screen or wall through a small aperture onto a surface opposite the opening.
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Fixed safelight in darkroom. An amber (light brown) safelight for use with certain black-and-white photographic papers. A safelight is a light source suitable for use in a photographic darkroom.