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Belting (or vocal belting) is a specific technique of singing by which a singer carries their chest voice above their break or passaggio with a proportion of head voice. Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly, it can potentially ...
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e. A 3 –A 5).
A mezzo-soprano (Italian: [ˌmɛddzosoˈpraːno], lit. ' half soprano '), or mezzo (English: / ˈ m ɛ t s oʊ / MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e.
LuPone has a mezzo-soprano vocal range, [14] [15] [16] and she is known for her strong/high "Broadway" belt singing voice. In a 2008 interview, she maintained that she was "an actor who sings", and thankful she "had a voice".
Mezzo-soprano range: The mezzo-soprano is the middle-range voice type for females. [6] The mezzo-soprano voice lies between the soprano voice and contralto voice, over-lapping both of them. The typical range of this voice is between A3 (the A below middle C) to A5 (two octaves higher).
Cecilia Bartoli OMRI (Italian: [tʃeˈtʃiːlja ˈbartoli]; born 4 June 1966) is an Italian mezzo-soprano widely known in the music of Bellini, Handel, Mozart, Rossini and Vivaldi and for lesser-known music of the Baroque and Classical periods. She has also sung soprano and alto repertory. Bartoli is considered a singer with an unusual timbre ...
O'Riordan was a mezzo-soprano, with a vocal range from B 2 to C 6. [8] [99] [238] She did not sing much in the 5th octave but rather in a range of vocal comfort. [239] She was familiar with the vocal belting of '90s alternative rock [99] and was also devoted to her love of falsetto.
In 2017, Crebassa's first commercial recording, Oh Boy!, was released on the Erato label, [3] and her second solo CD, Secrets: French Songs, also on Erato, consisting of Debussy's Trois chansons de Bilitis and Trois Mélodies de Verlaine, Fauré's Mirages, Op. 113, Ravel's Shéhérazade, four mélodies by Duparc and Fazıl Say's Gezi Park 3 ...