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The Belgian Comic Strip Center (French: Centre belge de la Bande dessinée; Dutch: Belgisch Stripcentrum) is a museum in central Brussels, Belgium, dedicated to Belgian comics. It is located at 20, rue des Sables / Zandstraat , in an Art Nouveau building designed by Victor Horta , and can be accessed from Brussels-Congress railway station and ...
Comic mural in the Stoofstraat [] depicting a scene from The Calculus Affair, featuring Tintin, Captain Haddock and Snowy. Brussels' Comic Book Route (French: Parcours BD de Bruxelles; Dutch: Striproute van Brussel) is a path composed by several comic strip murals, which cover the walls of several buildings throughout the inner City of Brussels, as well as the neighbourhoods of Laeken and ...
An estimated 75% of the comics sold in France were made by the three large Belgian comics publishers, Dupuis, Le Lombard and Casterman. Dupuis alone, with a production of 9 to 10 million albums a year and a back catalogue of 1,000 titles, is responsible for one third of the French comics market. [ 41 ]
Bandes dessinées (singular bande dessinée; literally 'drawn strips'), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in French and created for readership in France and Belgium. These countries have a long tradition in comics, separate from that of English-language comics.
7 Canada. 8 Colombia. 9 ... 12 Croatia. 13 Denmark. 14 Egypt. 15 Finland (sarjakuvat) 16 France (bande dessinée, BD, bédés) 17 Germany (Comic ... La vengeance du ...
Franco-Belgian comics, together with American and British comic books and Japanese manga, are one of the three main markets.The term is broad, and can be applied to all comics made by French and Belgian comics authors, all comics originally published by French and Belgian comics publishers, or all comics in the styles appearing in the Franco-Belgian comics magazines Tintin and Spirou, possibly ...
In 1984, Groensteen became the editor-in-chief of the old fanzine Schtroumpf : Les Cahiers de la bande dessinée, transforming it into one of the first publications that would lead to serious academic criticism of comics in France and beyond. He integrated the publishing company into discussions on art and culture.
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