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  2. Orlando Furioso - Wikipedia

    en.wikipedia.org/wiki/Orlando_Furioso

    The modern Russian poet Osip Mandelstam paid tribute to Orlando Furioso in his poem Ariosto (1933). The Italian novelist Italo Calvino drew on Ariosto for several of his works of fiction including Il cavaliere inesistente ("The Nonexistent Knight", 1959) and Il castello dei destini incrociati ("The Castle of Crossed Destinies", 1973). In 1970 ...

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  4. Biblioteca Comunale Ariostea - Wikipedia

    en.wikipedia.org/wiki/Biblioteca_Comunale_Ariostea

    The library, founded in 1750–1753, [1] and refurbished in 1801 according to a plaque in the reading room, [2] is dedicated to manuscripts and publications related to local writers such as Ariosto, Tasso, Vincenzo Monti, Govoni, Caretti, and Nello Quilici. The collection has nearly 400,000 objects.

  5. A Man with a Quilted Sleeve - Wikipedia

    en.wikipedia.org/wiki/A_Man_with_a_Quilted_Sleeve

    Titian, portrait of an unknown Knight of Malta, c. 1508, Uffizi. A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, [2] measuring 81.2 by 66.3 centimetres (32.0 in × 26.1 in). [3]

  6. Marfisa - Wikipedia

    en.wikipedia.org/wiki/Marfisa

    Marfisa (also translated as "Marphisa") is a character in the Italian romantic epics Orlando innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto.She is the sister of Ruggiero but was separated from him in early childhood.

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  8. Bradamante - Wikipedia

    en.wikipedia.org/wiki/Bradamante

    Bradamante (occasionally spelled Bradamant) is a fictional knight heroine in two epic poems of the Renaissance: Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. [1] Since the poems exerted a wide influence on later culture, she became a recurring character in Western art.

  9. Portrait of a Man (Titian, Indianapolis) - Wikipedia

    en.wikipedia.org/wiki/Portrait_of_a_Man_(Titian...

    It may have been the painting seen by Carlo Ridolfi in Nicolas Régnier's house around 1648. [citation needed] It has traditionally been known as Portrait of Ariosto due to its similarity to A Man with a Quilted Sleeve, another Titian work previously thought to depict Ariosto, and to a print of Ariosto in the 1532 edition of Orlando Furioso.

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