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A castrato (Italian; pl.: castrati) is a male singer who underwent castration before puberty in order to retain singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice can also occur in one who, due to an endocrinological condition, never reaches sexual maturity .
Around Easter 1914 he met Viennese musicologist Franz Haböck, author of Die Kastraten und ihre Gesangskunst (The Castrati and their Art of Singing, published in Berlin in 1927), who had planned to cast Moreschi in concerts reviving the repertoire of the great eighteenth-century castrato Farinelli. However, Moreschi (now fifty-five years old ...
Giovanni Battista Velluti as a young man. Giovanni Battista Velluti, colloquially "Giambattista" (28 January 1780 – 22 January 1861), was an Italian castrato.Considered "the last great castrato", [1] he had a reputation of being something of a diva, with some singers refusing to appear with him.
1922 — Death of Alessandro Moreschi, last Vatican castrato singer. 1924 — Arturo Toscanini conducts Puccini's last opera Turandot at La Scala in Milan. 1925 — Italian radio starts to broadcast music programs. 1951 — First San Remo Festival of Italian popular music. 1953 — First edition of the Ravello Festival.
The last famous Italian castrato, Giovanni Battista Velluti, died in 1861. The sole existing sound recording of a castrato singer documents the voice of Alessandro Moreschi, the last eunuch in the Sistine Chapel Choir, who died in 1922. This Italian practice of castrating young males to maintain their soprano voices was ended by Pope Leo XIII ...
In 1668, Melani sang publicly for the last time at Palazzo Colonna, and from then on dedicated himself exclusively to politics and diplomacy, writing several books on Rome, advising the King of France, mediating with the German princes, and acting as go-between among the Italian States. He finally died at the age of 88 in 1714 in Paris.
Crescentini was born in Urbania.He studied in Bologna with the noted teacher Lorenzo Gibelli and made his debut in 1783, quite advanced in years as a castrato. [1] After an unlucky stay in London in 1785, where he did not win much approbation, on his getting back to Italy, he took part in Naples, very successfully, to a revival of Guglielmi’s opera Enea e Lavinia, together with the already ...
Born in Siena in about 1735, Tenducci became a castrato and he was trained at the Naples Conservatory. [2] Castration was illegal in both church and civil law, but the Roman Church employed castrati in many churches and in the Vatican until about 1902; and throughout the 17th and 18th centuries the public paid large sums of money to listen to the spectacular voices of castrati in the opera houses.